My name is Dan Brown, and I’m a film and television composer working in Los Angeles. You don’t have to own the most expensive or hip sample library out there to have your MIDI’d music sound eerily similar to a live orchestra if you only know how to properly use the samples you have. If MIDI sequencing is being done right, it can be very difficult for even professional musicians to tell the difference between a sample library and the real thing. For better or worse, more and more final products coming from professional, high-budget productions are being supplemented or even completely replaced with sampled or canned music. Transcript: Much of the music that comes out of Hollywood today, particularly from the television industry, is created digitally, in the box, using pre-recorded or sampled instruments, replacing sweaty and error-prone human musicians with coldly efficient - and, more importantly, cost-effective - robots. Don’t forget to check out the second half of this tutorial: Make MIDI Sound Real: Creating Orchestral Mockups, Part 2!
This video transcript is by Opal Transcription Services. Learn basic routing tasks for virtual instruments, how reverb is used, and how to apply MIDI continuous controllers such as expression and modulation data to make MIDI sound realistic.
The following article is a transcript from Midi Film Scoring’s video tutorial on how to make MIDI sound real, originally titled “Getting the Most out of Your MIDI Sequencer: Part 1 of 2,” authored by Los Angeles film and television composer Dan Brown.
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